| Sadhana, the trailerTue, 06 Jan 2009 16:08:45 -0800 by barhat2009Compilation of a try out in Brussels, organised by Muziekpublique. Sadhana is a new project in progress. Under the working title "the Alchemy of the Heart", sitarplayer Bert Cornelis invited artists with whom he had separately great artistic and personal contacts to create something new together: Anne-Cecile Chane-Tune: dance / Simon Lenski: cello, electronics / Anwar Abudragh: vocals, djose, oud / Dadmehr: tombak, daf / Partha Sarathi Mukherjee: tabla / Alain Collet: lights. Related: sadhana bert cornelis sitar | |
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| Evolution vs. Genetic EntropyTue, 06 Jan 2009 13:16:15 -0800 by bornagain7777777Loss of information in a genome not only occurs with natural selection but also with slightly deleterious mutations, which accumulate in the genome over time. The fossil record agrees with this line of evidence. Genetic entropy can first be seen being obeyed by the loss of morphological variability, for all sub-species of a parent species. This is true in the fossil record as well as in living species (Trilobites, Webster: Dog Breeding etc..) Yet the next phase of Genetic Entropy is when the vast majority of mutations, which are slightly deleterious in nature, build up in the genomes of the entire population and eventually lead to Genetic Meltdown for the entire population. (This can be seen in the fossil record by the over 90 percent of species that have gone extinct in the fossil record with no explanation from any natural disaster (Indeed it explains it very well since the extinction rate is fairly constant overall for all species, with a few notable exceptions of longevity)) This is because the "slightly deleterious" mutations are far below the power of natural selection to remove from any one individual's genome before the negative mutations spread throughout the entire population. (i.e. The slightly deleterious mutations are never dealt with)"I have seen estimates of the incidence of the ratio of deleterious-to-benef icial mutations which range from one in one thousand up to one in one million. The best estimates seem to be one in one million (Gerrish and Lenski, 1998). The actual rate of beneficial mutations is so extremely low as to thwart any actual measurement (Bataillon, 2000, Elena et al, 1998). Therefore, I cannot ...accurately represent how rare such beneficial mutations really are." (Sanford; Genetic Entropy page 24)"The neo-Darwinians would like us to believe that large evolutionary changes can result from a series of small events if there are enough of them. But if these events all lose information they can't be the steps in the kind of evolution the neo-Darwin theory is supposed to explain, no matter how many mutations there are. Whoever thinks macroevolution can be made by mutations that lose information is like the merchant who lost a little money on every sale but thought he could make it up on volume." Dr. Lee Spetner (Ph.D. Physics - MIT - Not By Chance)Evolutions try to circumvent this crushing fact by implying that the majority of the DNA is Junk DNA and then postulating some imagined pathway, Yet this dodge has effectively been crushed by the findings of ENCODE.http://www.ge nome.gov/25521554BET HESDA, Md., Wed., June 13, 2007 -" An international research consortium (ENCODE) today published a set of papers that promise to reshape our understanding of how the human genome functions. The findings challenge the traditional view of our genetic blueprint as a tidy collection of independent genes, pointing instead to a complex network in which genes, along with regulatory elements and other types of DNA sequences that do not code for proteins, interact in overlapping ways not yet fully understood."http://w ww.boston.com/news/g lobe/health_science/ articles/2007/09/24/ dna_unraveled/?page= 1"The science of life is undergoing changes so jolting that even its top researchers are feeling something akin to shell-shock. Just four years after scientists finished mapping the human genome - the full sequence of 3 billion DNA "letters" folded within every cell - they find themselves confronted by a biological jungle deeper, denser, and more difficult to penetrate than anyone imagined."Since evolution was forced, by the established proof of Mendelian genetics, to no longer view the whole organism as to what natural selection works upon, but to view the whole organism as a multiple independent collection of genes that can be selected or discarded as natural selection sees fit, this 'complex interwoven network' finding is extremely bad news, and absolutely crushing, for the population genetics scenario of evolution (modern neo-Darwinian synthesis) developed by Haldane, Fisher and Wright (page 52 and 53: Genetic Entropy:Sanford 2005)! Related: genetic entropy macintosh john sanford evolution intelligent design dembski behe | |
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| Beethoven "Missa Solemnis" c1955 Mono Stader/Radev/Dermota/Greindl/Böhm Part3-10 Gloria Pt2Thu, 18 Dec 2008 09:51:41 -0800 by tHEnOOSEsWINGBetterSound: http://au.youtube.co m/watch?v=Syl19c45Iw k&fmt=18Original 1955 Mono================ ================II. GloriaQui tollis peccata mundi,miserere nobis.Qui tollis peccata mundi,suscipe deprecationem nostram.Qui sedes ad dextram Patris,O miserere nobis.Quoniam tu solus Sanctus,tu solus Dominus,tu solus Altissimus, Jesu Christe.Cum Sancto Spirituin gloria Dei Patris.Amen.http://w ww.sfbach.org/repert oire/missasolemnis.h tmlLudwig van Beethoven Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op.123Choral Music, Mass Composition Date 1819-1823 1 Kyrie 2 Gloria 3 Credo 4 Sanctus 5 Benedictus 6 Agnus Dei Chor der Hedwigs-Kathedrale Choir, ChorusBerliner Philharmoniker Orchestra/Karl BöhmMaria Stader SopranoAnton Dermota TenorJosef Greindl BassWolfgang Meyer Organ Mariana Radev ContraltoSiegfried Borries Violin Ludwig van Beethoven Mass for soloists, chorus & orchestra in D major ("Missa Solemnis"), Op.123 Part3-10Gloria. Qui tollis peccata mundiGloria. Quoniam tu solus SanctusGloria. In gloria Dei Patris. Amen================ ================Anto n Dermota (Tenor)Born: June 4, 1910 - Kropa, SloveniaDied: June 22, 1989 - Vienna, AustriaAnton Dermota was born in Kropa (Slovenia) grewing up in poverty. Initially studying composition and organ at the Ljubljana conservatory, he received a scholarship in 1934 which took him to Vienna where he devoted himself exclusively to vocal studies with the famous coach Marie Radó.Anton Dermota made his early debut at the opera of Cluj (Klausenburg) in 1934. It was Bruno Walter who immediately invited him to the Vienna State Opera where he made his debut in 1936 as first Man in Armour Mozarts The Magic Flute. His first major role was Alfredo in La Traviata in 1937. He remained a loyal member of the Wiener Staatsoper for more than 40 years (!) and became one of the most popular and celebrated singers by the Viennese public. He also succeeded at the Salzburg Festival where he appeared regularly for 20 years. His repertoire was wider than is often remembered and his recordings give proof of this versatility. He was perhaps most renowned for his Mozart roles, such as Don Ottavio, Ferrando, Tamino and Belmonte. He also sang Jacquino, Cassio, Nurredin, David, Alfredo in Fledermaus and La Traviata, Rodolfo, Lenski, Des Grieux, Flamand in Capriccio, Oedipus in Stravinskys Oedipus Rex, David, Hans in The Bartered Bride, Narraboth, Leukippos, Hoffmann and Elemer in Arabella. Later he occasionaly ventured into the youthful Heldentenor repertoire, singing the title role in Smetanas Dalibor, Max in Freischütz and Laca in Jenufa. In 1955 he appeared as Florestan in the inaugural performance of the rebuilt Staatsoper with a splendid cast. His repertoire included all together 80 roles! His interpretation of the title role in Pfitzners monumental opera Palestrina was well remembered by the Viennese public for many years. He was engaged at the operas of London, Paris, Rome, Naples, Teatro Colón and toured Australia, Czechoslovakia and Hungary. Dermota was an accomplished lieder singer and gave hundreds of song recitals accompanied by his wife, the pianist Hilde Berger-Weyerwald. In 1966 he became a sought-after singing coach at the Wiener Musikhochschule. In honor of Kammersänger Anton Dermotas 70th birthday, the management of the Vienna State Opera invited him to appear as Tamino (which he sang with a voice unimpared). He died after his 79th birthday in 1989.http://www.bach -cantatas.com/Bio/De rmota-Anton.htm===== ==================== ======= *Note:Support the artist, their families and their legacy by purchasing their music. Related: beethoven missa+solemnis stader radev dermota greindl berliner böhm | |
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| Rolando Villazon & Daniel BarenboimMon, 10 Nov 2008 13:36:53 -0800 by MySamoyedsSlideshowRolando Villazon & Daniel BarenboimBenefizkonz ert zugunsten der Sanierung der Staatsoper Unter den LindenPhilharmonie - Berlin, 09.11.2008WOLFGANG AMADEUS MOZARTOuvertüre zu DON GIOVANNI KV 527(Konzertschluss von Ferruccio Busoni)Arie des Don Ottavio »Il mio tesoro«aus DON GIOVANNI Maurerische Trauermusik KV 477Arie des Tamino »Dies Bildnis ist bezaubernd schön«aus DIE ZAUBERFLÖTE KV 620Klavierkonzert B-Dur KV 595PETER I. TSCHAIKOWSKYArie des Lenski »Kuda, kuda, kuda vi udalilis«aus EUGEN ONEGINPolonaise aus EUGEN ONEGINGEORGES BIZETArie des Don José »La fleur que tu m'avais jetée«aus CARMENOrchestersuite Nr. 1 aus der Oper CARMENfür OrchesterPABLO SOROZÁBALRomanze des Leandro: »No puede ser«aus LA TABERNERA DEL PUERTOTango von Carlos Gardel Related: rolando villazon daniel barenboim benefizkonzert zugunsten der sanierung staatsoper unter den linden berlin 09.11.08 | |
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